This forgotten book-mark in a book being revisited after two years is an origami crane – a symbol of healing in Japan. A school kid had given it to me at Hiroshima as a token of gratitude for helping him practise his spoken English.

Paper folding started in China in the first century and reached Japan in the 6^th century. Here it was cultivated as an art of understatement. Origami suggests. It implies without announcing outright. It intimates without brashness. In Japanese folklore, a crane is fabled to live for a thousand years and is held in high esteem. It is believed that folding 1000 paper cranes brings the folder’s wishes come true.

A young girl called Sadako Sasaki survived the Hiroshima bomb when she was only two years old. Less than 10 years later she was diagnosed with leukemia, a cancer of the bone marrow. The disease progressed rapidly and the prognosis was not good. She set out to make a thousand paper cranes. She could complete 644 before she died on Oct. 25, 1955, less than a year after being diagnosed. Her classmates, family and friends made more to bring them up to 1000 and buried them with Sadako.

Her story captured the imagination of the country and the world. Today, we recognize the crane as a symbol of peace and hope.

“She let out both the pain of our parents and her own suffering with each crane.”
“Her death gave us a big goal. Small peace is so important with compassion and delicacy it will become big like a ripple effect. She showed us how to do it. It is my, and the Sasaki family’s responsibility to tell her story to the world. I believe if you don’t create a small peace, you can’t create a bigger peace. I like to gather those good wishes and good will and spread to the world,” said Masahiro, her brother.

Peace and hope to Sadako and to us all.