Life is about more than antiseptic wipes.

If there ever was a reminder of my own disappearance, it is here. Right here, looking straight into my eyes. This line ends with me. No progeny. No genetic propagation. No continuation. No traces.

Lines on the surface of water.

This is a kind of liberation from the complexities of life, the noise and the karmic debts, whatever they might be. Nothing to give. Nothing to take. Simply another life, here and then, gone. After Saagar, the inevitability of my own demise is the most obvious fact. It doesn’t evoke fear or dread. Inescapable. It puts a smile on my face. Ah! To be human. What a ride!

 In the grand scheme of things, we are momentary bubbles riding on a wave, arising out of the ocean, assuming a separateness from its waters.

Grand and then gone. Like Saagar.

I see folks with long bucket-lists spending their days and nights doing soulless jobs, brothers defrauding each other for a possible gain, couples frantically buying houses in every city while the ulcers in their stomachs bleed and proliferate.

Sitting at the table next to me in a posh Bangalore café, a mother is fretting over the fact that her child doesn’t yet know the names of all the months in the right order and he’s already two years old. While I sip my coffee, I watch this young mum obsessively chase her son around the place with an antiseptic wipe, cleaning his hands, everything he has touched and is about to touch, repeating, January … February … March …

We’re crying for softness.

(A tapestry by Sheila Hicks)

Threads. Blankies. Comforters.

If we let it, this hard world of sharp angles and square blocks, straight logic and serrated edges can seep into us and concrete us from the inside. That must not be allowed to happen as it may be impossible to undo.

We, tender-fleshed people, need cushioning. We, supple spongy beings, seek preservation through rounded, silky, fluffy coverings. Our need to be nestled with tenderness inside the pliable delicate tissue of another’s compassion is primal. It must be recognized as the ultimate necessity for living.

To keep softness alive in a world so harsh is the job at hand in this moment.

In any moment, ever.

Secretly we’re all yearning for something that is warm, welcoming, and soft. Born into the young arms of our mother, held against her soft chest, we’re rocked gently to sleep, patted rhythmically on the back and hummed to. Lullabies ringing and sleep half-arriving into this space of trust and love. Remember how easy it was to rest into it, knowing all was well and would be well? Let it be thus again.

“Life is better when you surround yourself with people for whom kindness isn’t a strategy, it’s a way of life.”

Am I eleven and a half?

( From ‘Wonder Walkers‘ by Micha Archer)

A father, on his daughter’s third death anniversary declared, “I am three today. I started my new life, three years ago. Now, I am a toddler. In a new world, I am learning its new language. Often, I make things up. Right now, I can only ride a bike with three wheels. I know only a few numbers. Some are etched on my memory. I can socialize but before long, must return to familiar spaces. There is so much I don’t know yet, and I am learning to be okay with all my unanswered, perhaps unanswerable questions.”

You cannot enter any world for which you do not have a language. I have been yearning for a better kind of language for as long as I can remember. I am creating my own in a new way. I simply make up words and sentences that I want to say and hear. They may sound silly to the world, but I am finding the balance between courage and fear, between confusion and clarity.

The violence within, frightens me. Sometimes I am very alone with it, and I wonder who I am. Who else can I be? This fear is a kind of intelligence I know but where does it live in me? What am I afraid of? How can I put a language to it? How can I create a friendship with it? And with the confusion, the unknown?

Saagar’s death will not become the primary definition of me, I say.

Does this happening seek my permission or has it already claimed its place?

Am I already eleven and a half?

Like cloud joining cloud.

Loss Too Deep for Words

When all that seems real is lost,
where words blur and fail,
where intention cannot reach the depth,
where heart hungers
and soul starves.

Only the warmth in the heart of another
finds the pulse,
like cloud joining cloud,
a delicate meeting
before language.

Seeing and seen,
no grandeur, no pretence.

Not words.
Not healing.
Not intention.

Not reviving.
Not demanding.
Not offering.
Not outside, just there, stepped inside.
Rare.

Once isolated, unreachable,
now golden sun emerging, real.

Only that which is real
can touch that which is real.

Nothing survives
that is not love.

  • By Tony Bisson

(Tony is a bereaved father. He wrote this poem expressing what being in the Circle of Rememberance means to him.)

Let there be colour.

In this land of limited resources, every day we see ingenious use of everyday things – old saris stitched together to cover a car, old tyres reused as planting pots and old t-shirts repurposed for dusting or cleaning.

When I moved to the UK, I was horrified at the amount of paper that was binned for the smallest of reasons – a slight crinkle, a minor misprint, a tiny smudge. People failed to notice that there were two usable sides to every A4 sheet. If one side was unusable, the other was there to jot down a list, play knots and crosses, or simply, create a doodle. It is refreshing to return to a place where hardly anything is discarded as useless, unless it really is. The inventiveness of the people is inspiring, even though it is motivated by saving money. They probably don’t know it, but they are also helping save the environment.

Limitations can serve creativity. That is why deadlines work. They push you to finish. It is easier to write in response to a writing prompt as it focuses the mind. Newton came up with the Theory of Calculus in quarantine. Faith Ringgold was born in Harlem. She was an arts teacher who wanted to paint large canvasses but didn’t have the space needed. So, she started stitching themed pictures into quilts, which she could carry and display with ease.

Recently, I’ve been wondering if my creative efforts at teaching Spoken English to the local kids will be of any use to them in the long run. The school’s modus operandi is cramming. They have a verb for it – by-hearting. I believe corporal punishment is forbidden on paper, but you wouldn’t know that in practice. The rule remains stuck to the paper.

If nothing else, we create a few light moments in the day. Some colour, some play, some laughter, some movement. Maybe that’s enough for now.

Resources: How to be more creative: https://youtu.be/oTAdkDyVa9s?si=xFA3h5PEaZ-fIiuN