No mystique

Sitting in mesmerising remoteness, I’ve been falling in love with Maya Angelou. Her words in this interview on The Paris Review have been singing in my ears and I am compelled to share the music as it resonates with the beat of my heart. And, is she funny or is she funny? Astounding combination of humour and profound fundamental human truths.

“We may encounter many defeats.” She says. “Maybe it’s imperative that we encounter the defeats. I don’t know. But we must not be defeated. I see people who haven’t gone through anything and you think, ‘Ah! Honey, go through something. Go through something.’

If I have a theme in my work, it is that we’re much stronger that we appear to be. And maybe much better than we allow ourselves to be. And that human beings are more alike than we are unalike. There’s no real mystique. Every human being, every Christian, every Jew, every backslider, every Muslim, every Shintoist, Zen Buddhist, atheist, agnostic, every human being want a nice place to live. A good place for the kids to go to school, healthy children, somebody to love, the courage, the unmitigated gall to accept love in return, some place to party on a Saturday or Sunday night and some place to perpetuate that God. There’s no mystique. None. And if I’m right in my work, that’s what my work says.”

Truly inspired. Love the sweet little made-up words like ‘unalike’. Thank you Ma’am.

Why do you write?

Before Day 0, I hardly ever wrote, except for work. Then, this blog became a lifeline.

A friend. A vent.

A hook to hang my days on.

A thing that helped me stay on.

A messenger. A mouthpiece.

A repository of memories.

An unencumbered voice.

A determined choice.

“Have you published anything?” a writer friend asked me recently.

‘No. I am a writer. I write.’

“Don’t you want to be published?”

‘Yes. It would be nice. But for me, writing is an end in itself.’

“Why else do you write?”

‘Because I am fascinated by the terror of a blank page.

Because I have something to say.

Because I want to reach others, especially those who feel very alone.

Because I love the scratchy sound of pen moving on paper.

Because it helps me connect with myself in a tender manner.

Because I can trust the words that come out. I can mess with them. Play.

Because I need to write what I’m thinking in order to understand what I’m thinking.

Because writing wants to happen through me. It can be a wooo-hooo surprise!

No reason. Simply.’

After nearly ten years of writing, in March this year I made my first submission and thankfully it was accepted. A short story, “The Order” was published earlier this month on an online literary magazine, Kitaab.org:

This story made its debut in an unrefined form on this blog and my brother commented that I should try to get it published. That was in July 2018. Six years ago! Gosh! I must be slow.

Ode to London.

“I wouldn’t choose to live here. It’s good for a visit. A change.”

As a tourist in London, that was my opinion in 2005. Less than a year later a job offer I couldn’t turn down meant we moved to London with our bags and belongings. The move from the capital of Northern Ireland to the capital of England was a huge culture shock. The sights and sounds of Belfast, a place we had come to feel at home in, were peaceful and serene compared to the chaotic juddering of London.

We relocated, rented for a year before buying. Our home was five miles south of London Bridge and we lived there for 17 years. Saagar lived there for eight, two of which he spent at Uni. We got past our initial anxieties about the cost of living etc. and came to love the buzz, the cultural richness and the stimulating challenges of living in this crazy noisy place.

For the past couple of years, we have wanted to live simply. Last year we returned to India for a few months to winter here in response to the extra attention our respective bones and bodies were demanding from us. We made a home in rural Goa, albeit temporary. Yes. This is serene and peaceful. Yes. Time is plentiful here and the tropical languor is endearing. Yes. The Arabian sea is warm and its breeze soothing. I am utterly grateful for all of that but we find it’s not simple to create simplicity. This place is lovely but it is entirely non-London and I dearly miss that home five miles south of the centre. I miss our cat, our plants, our neighbours (some). I miss my girl-friends and work-colleagues, posh cafés and French restaurants, a quiet walk through West Norwood Cemetery and a stopover at the Tate while along the Thames, a routine, a purpose. I never thought I’d say this but sometimes I even miss people watching on my morning commute to work. I miss being around folks who knew Saagar and spoke of him, people who loved him. 

A friend, Dr Michael Duncan who is a Consultant colleague and a poet, shares the same love of this city in his recent poem.

A Masterpiece of a City

You don’t need an Acropolis
To be the foremost Metropolis
I would need a paragraph
To just describe the Cenotaph
It’s prominent and sleek
And take a look in
To the Arches of Marble
Or the Marbles of Elgin
Pleasing, unless you are Greek
And while that is a pity
It’s still a masterpiece of a City

A mystery of a city
The extremes of iniquity
But the best of the humanities
All Side by side
Diversity is most alive
Within the M25
From Harrow to Bexley
In this Masterpiece of a City

London imperturbe,
Caressing the Thames
And the bends that it lends
I searched the world
And found the world here
My Sentiments for Ealing
Are Morden a feeling
The Thames is greater than the Liffey
A masterpiece of a city

Parakeets, they were transplanted
And brilliantly adapted
And The foxes of Camden
Though residents might damn them
And The foxes of Tooting
Raiding and looting
It’s mammalian diversity
In this masterpiece of a City

And if you should seek something greater
Then enter the chambers
Of the Western Minster
Ministering and dithering
Perfecting their duplicity
Are the master debaters

A masterpiece of a city
It has no Ulysses written about it
But if you take a Peyp
There is potential for one
Thy will be done
The masterpiece, is London.

The wrath of the years.

Do I really care?

What do people think of me? Of us?

Which landmass do I live on?

What is the weather like?

What colour is the bloody sky?

Whose child left for University?

How much money I have left?

Who is coming from where? Who is going somewhere on a holiday?

What’s for dinner tonight? Or any night.

Will I ever have a job to go to?

When will the Amazon-man deliver the stuff I ordered?

Is there any milk in the fridge?

What happens next?

The sun came up from the North-west this morning?

Do I care?

One whole decade in the world ‘after’ Saagar will be completed in the tenth month of this sort-of-new-year. Since the 1st of Jan, every time I read or write 2024, that is the singular thought that comes to mind like an unwelcome guest. How can the world tolerate this? Who authorised for all those days and months to pass? How can this even be allowed to happen? How can I still be here? Who granted permission for this kind of treachery? Is this gorge of yearning bound by any boundaries? Or is it bottomless, without any limits?

Does anybody care?

The beetle and the shield.

Who needs flowers? A few months in the tropics and I am mesmerised by the stunning leaves in these parts, huge and spectacular. Every colour and shape is present amongst them. If I stop and look closely, they hypnotise me. If I stand back and take in the view of the canopy, I have a sense of abundance! Such lushness and vibrancy. No two leaves are exactly the same. Each one a miracle. Monstera, Rattlesnake plant, Purple blush, ferns, Beauty star, Zebra plant, Prayer plants, palms, Coconut fronds, Banana leaves and the list goes to over 7500 species.

Walking on the edge of the Arabian sea, along the west coast of India, I see shapely leaves in orange, yellow, red and auburn strewn on the golden beach. I pick one up and it feels thick and waxy, seasoned well by its prolonged contact with salt water. Their shape is that of jack-fruit leaves. I can’t help but pick a few, hold them in the shallow waves as they get the sand off them, pat them dry against my cotton top and carefully bring them home. Press them under a sofa cushion and a few days later, they emerge flat and textured as a fabric, ready to receive some more colour.

These plain fascinating leaves invite the five-years-old in me to play. I jump at the invitation and spend some timeless moments with them. Together we build little bugs and African shields. In our world, it doesn’t matter that the bug and the shield are the same size. It also doesn’t matter that these things have no practical use at all. The fact that they may not last for more than a few days as a possible bookmark or a decoration, also does not matter.

All that matters is that these gorgeous creations came into being through us and briefly delighted.