You laugh till you cry, squinting your tiger eyes
But tell us to hush when your parents call
In your Dulwich voice you say ”Be quiet guys!”
And in Indian voice you pick up, making us fall
About with laughter, like when you do your godly pose
Or carry Seb round your waist, provoking hustle and bustle
To get a good shot of you, as you put on a show
Wearing a quite tight t-shirt to show off your muscles
As the parties continue, drinks are going both ways
(Who owes who drinks? I’ve lost track of the debt)
whilst you start charming the ladies with le français
and protect them from drunks, proceeding to get
with them, then when all is nigh you third-wheel on a couch
never in a bed, you can be found asleep on the floor
snoring like a silver spoon is clanking in your mouth,
a sound that not even sleeping logs could ignore!
And when we wake and board the train I stare
At your long toenails, forever on my mind
I beg you to cut them as you offer to share
Your pungent fish-curry, which I have to decline,
I’m just glad you didn’t wear flip-flops that time we ate
Dinner at mine with my religious uncle and aunt
(who you mistook for my grandma) and they both said
that you wanted to marry me, me thinking “you can’t
be serious’ as it would have been like incest.
Plus our music tastes conflict (metal’s not my thing)
But back on track now to mention that you give the best
Hugs and your previous girl-friends continue to sing
Your praises, more or less, along the same lines …
Saagar, talented musician, gifted linguist and great friend.
Words cannot express just how sorry we all are,
How much we love and miss you.
Rest in peace.
The train had only a few people in it. It was quietly making its way through the Irish countryside. Callum’s borrowed black suit stank of booze. He’d just finished with his mum’s funeral. He looked at my face and consoled, “When I go in d sun I turn d same colour too. Its awright. We’re all one. I’m tryin’ tell ya. Its awright.”
‘Did your mum have a hard life?’ I asked.
“She grew me up with my grand-moder. My dad died in a car-crash at 27. I never seen’im. I’z a very hard young boy ‘cause I won’t listen to nobody. So, I go from home to DC to prison.”
“Detention Center. My mummy gonna hurt for 20 year. The pain remain. I too weak. I go up and down d hospital for 2 week. Then, she die. Pain is love and love is pain. That’s all that remain. You and me is the same. See, I’m not stupid. It’s awright. I know she always want me be strong. When you feel weak, don’t fall and crumble, ‘cause she don’t want me to stumble. She never leave me. I promise. I never leave her. It’s awright.”
Three weeks ago I had an almighty fall while mindlessly running on an uneven pavement for a bus. I didn’t have to run. I had plenty of time. One second I was vertical and the next, face down, splayed on the side of the road. My hand-bag flew off to the left and my laptop case to the right. In my shock, I stood up like an automaton, gathered my stuff and carried on. The thing that hurt more than my pride was the nailbed of my right little finger. There was some red on it too. Both my knees screamed out. The nearly new jeans from USA bore no traces of a nasty fall but the skin on those knees was definitely open. And, the right elbow… and the left.
Over the next few days I lost my very personal diary which was luckily found in the ‘ladies’ of the office I had visited in Birmingham and kindly returned. I left my shopping bag at the Pharmacy where I was picking up dressings for the old knees. I put bottles of milk and apple juice back in the fridge without screwing the caps on and so on … Am I loosing my mind?
Is the Universe trying to tell me something?
Slow right down.
It’s time to prepare for the stillness of winter.
To face the darkness within and prepare for the birth of light.
A time to let go, like the trees, silently celebrating colours before denuding themselves.
One flower-like leaf being let go, after another, until they’re all gone.
Time to witness and breathe in the splendorous grand finale before the end of this cycle. Acknowledge abundance as my natural state of being.
Passively let good things happen, like the mulching, crisping leaves under my feet make the soil more fertile.
To be one with the magic of this season.
Become Ms Autumn.
These worlds, like multi-coloured balls in a kid’s play pen in Ikea overlap, intersect, collide, clash and merge constantly. They clang as if at VT station, Mumbai at 8 am on a Monday morning.
At the core of these spheres is a mush of thoughts, words, impressions and feelings, ground into a thick viscous treacle. At their margins are bright green woods.
I live in the shifting woods that border these globes. These borderlands are safe. Nothing can be taken away from me here. If one world vanishes, I jump onto another. All of them are home. They tumble along and slosh about merrily in a pool of love, inside and outside of me.
Sanity & Insanity
Life & Death
Reality & Illusion
I have six homes.
A 4 minute conversation, Si and I : The Listening Project on BBC Radio 4 (19th Sept 2018)
I-Player (only available in the UK)https://www.bbc.co.uk/radio/play/b0bk1fc0
To up and move the household every couple of years.
To tear away from the warmth of neighbours and friends.
To bleed quietly inside.
To have no say in matters within and without.
It was normal.
To have a new set of chairs, beds, books and windows.
To be the ‘new girl’ in the new uniform in the new school, again.
To prove oneself again.
To pick up ‘the way we do things here’ again.
To keep on keeping the balance despite shearing winds.
It was normal.
To make a home out of any old house.
To know there was only that much money.
To have aromatic homemade meals and smart hand-stitched clothes.
To extract as much joy and laughter as life allowed.
To create some more out of nothing.
To sometimes see grown-ups stressed.
To find blame and shame scattered around like unclaimed marbles.
To be expected to shine at all times.
It was normal.
To not know names of feelings.
To muddle along with them.
Mostly hide them in cotton balls of confusion.
To have no voice except silence.
To shed tears in dark corners.
To feel like a lone tree in a desert.
It was normal.
“… if bread is to be a life companion, then we had better be choosy about it…”
– Elizabeth David
I remember the weeks and months of ‘tea and toast’.
Food that whispered to my heart,
“Every little thing’s gonna be alright”. And still does.
Food that nourishes the soul and sustains the spirit.
If breaking bread together is gold-like comfort and trust,
making bread together is nothing less than alchemy.
Under the wise and precise tutelage of Hilary Cacchio
Si and I spent some time this weekend feeling kneady.
We got our fingers dirty making sourdough starters.
We got introduced to ‘Bruce’, a four year old culture.
He was named after the priest who blessed him when he was little.
He smelt sickly-sweet, more like beer than champagne.
His texture was spongy, like honeycomb and
he was the perfect balance of yeast and bacteria.
The stringent accuracy of weighing ingredients was scary.
Rye, spelt, white, brown, caraway, coriander, molasses…
The importance of ‘resting’ was reiterated time and again.
It must be as important for dough as for humans.
The art of stretching organic white flour
into fine glutinous strands felt like a
Dance between one hand flattening the dough
and the other maneuvering a fine pink plastic scraper.
The wooden worktop was like solid silk.
Luckily, after 10 minutes of dancing, and some resting,
our dough passed the ‘stretch test’
(a delicate interplay of fingers)
Got tactfully transferred on to trays and
went into hiding in huge industrial ovens.
What went in – Salt, flour and water.
What came out –
Golden-brown, fragrant, light and airy dollops of heaven.
A touch of butter on fresh warm bread.
Yes. Every little thing’s gonna be alright.
S is for Saagar.
For Simon and Sangeeta.
Sudden shocking jolt
For shameful silent suffering,
Like one strike of lightening
Sucking up a few lives at once.
S is for surreal memorial services
Soul-searching and seeking
Sometimes screaming out-loud
Shattered dreams, salty tears,
And sweet memories
Strewn across the wooden floor
Like techni-coloured glass beads.
S is for simplicity
Sparkling smiling eyes
Salvation and solace
Shiny haloes and surrender
Like the curve of a weeping willow
Stooping down to kiss the ground.
S is for sharing
Speaking out loud
Saffron rice and saag-paneer
Saturdays and Sundays
Self as everything
Like the stars, songs and strings
Of guitars, and drum skins.
S is for solitude
Silence and serendipity
Sublime sun and sea
Sunflowers and sushi
Shirts and silk ties
Subtle messages from beyond
Like smoke signals in the distance
Sent out by friends from before.
S is for stigma of suicide in society.
Stashes of hidden sadness
Shrouded in small dark spaces
So little support and understanding
Such little compassion
Screened behind sports-cars
Suntans and scotch.
Like a corpse in the room