poetry

A shadow and a friend.

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One little girl arrived with bare feet on the site. May be six years old. Tiny. The odd one, out of place. Unflinchingly prancing about on the dry prickly ground, then sitting quietly, watching her dad clear the tall brown grass with his strimmer. Not a word from her. No toys. No books. No company. No food. Simply watching men working with their tractors and JCBs and one woman watching the men do their thing. Six egrets curiously dancing about the Hitachi and whatever else.

I wondered what her bright little eyes picked up on. I wondered what went on in her little head. What did she think about? School? Mum and Dad? Brothers? Friends? TV last night? Did her family have a TV? Who decided what to watch? What did she have for dinner last night? Where were her slippers? Her father said she forget to wear them as they left home in a hurry. Was that the real reason?

I wanted to talk to her and listen to her but wasn’t sure if that would be okay. As I walked past her I smiled lightly and waved my right hand at her. She gauged me as she turned her head to look in my direction. I continued waving my hand as she considered her response. After eight waves from me, she finally waved back once and I think I detected a hint of a smile.

For today, that was enough.

An excerpt from the poem ‘Kindness’ by Naomi Shihab Nye:

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to gaze at bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.

PS: The building of a home for CORe has begun. http://www.core-community.com

(Ref: https://poets.org/poem/kindness)

Ode to London.

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“I wouldn’t choose to live here. It’s good for a visit. A change.”

As a tourist in London, that was my opinion in 2005. Less than a year later a job offer I couldn’t turn down meant we moved to London with our bags and belongings. The move from the capital of Northern Ireland to the capital of England was a huge culture shock. The sights and sounds of Belfast, a place we had come to feel at home in, were peaceful and serene compared to the chaotic juddering of London.

We relocated, rented for a year before buying. Our home was five miles south of London Bridge and we lived there for 17 years. Saagar lived there for eight, two of which he spent at Uni. We got past our initial anxieties about the cost of living etc. and came to love the buzz, the cultural richness and the stimulating challenges of living in this crazy noisy place.

For the past couple of years, we have wanted to live simply. Last year we returned to India for a few months to winter here in response to the extra attention our respective bones and bodies were demanding from us. We made a home in rural Goa, albeit temporary. Yes. This is serene and peaceful. Yes. Time is plentiful here and the tropical languor is endearing. Yes. The Arabian sea is warm and its breeze soothing. I am utterly grateful for all of that but we find it’s not simple to create simplicity. This place is lovely but it is entirely non-London and I dearly miss that home five miles south of the centre. I miss our cat, our plants, our neighbours (some). I miss my girl-friends and work-colleagues, posh cafés and French restaurants, a quiet walk through West Norwood Cemetery and a stopover at the Tate while along the Thames, a routine, a purpose. I never thought I’d say this but sometimes I even miss people watching on my morning commute to work. I miss being around folks who knew Saagar and spoke of him, people who loved him. 

A friend, Dr Michael Duncan who is a Consultant colleague and a poet, shares the same love of this city in his recent poem.

A Masterpiece of a City

You don’t need an Acropolis
To be the foremost Metropolis
I would need a paragraph
To just describe the Cenotaph
It’s prominent and sleek
And take a look in
To the Arches of Marble
Or the Marbles of Elgin
Pleasing, unless you are Greek
And while that is a pity
It’s still a masterpiece of a City

A mystery of a city
The extremes of iniquity
But the best of the humanities
All Side by side
Diversity is most alive
Within the M25
From Harrow to Bexley
In this Masterpiece of a City

London imperturbe,
Caressing the Thames
And the bends that it lends
I searched the world
And found the world here
My Sentiments for Ealing
Are Morden a feeling
The Thames is greater than the Liffey
A masterpiece of a city

Parakeets, they were transplanted
And brilliantly adapted
And The foxes of Camden
Though residents might damn them
And The foxes of Tooting
Raiding and looting
It’s mammalian diversity
In this masterpiece of a City

And if you should seek something greater
Then enter the chambers
Of the Western Minster
Ministering and dithering
Perfecting their duplicity
Are the master debaters

A masterpiece of a city
It has no Ulysses written about it
But if you take a Peyp
There is potential for one
Thy will be done
The masterpiece, is London.

The wrath of the years.

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Do I really care?

What do people think of me? Of us?

Which landmass do I live on?

What is the weather like?

What colour is the bloody sky?

Whose child left for University?

How much money I have left?

Who is coming from where? Who is going somewhere on a holiday?

What’s for dinner tonight? Or any night.

Will I ever have a job to go to?

When will the Amazon-man deliver the stuff I ordered?

Is there any milk in the fridge?

What happens next?

The sun came up from the North-west this morning?

Do I care?

One whole decade in the world ‘after’ Saagar will be completed in the tenth month of this sort-of-new-year. Since the 1st of Jan, every time I read or write 2024, that is the singular thought that comes to mind like an unwelcome guest. How can the world tolerate this? Who authorised for all those days and months to pass? How can this even be allowed to happen? How can I still be here? Who granted permission for this kind of treachery? Is this gorge of yearning bound by any boundaries? Or is it bottomless, without any limits?

Does anybody care?

Borrowed light

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It sits on my shoulder like a monkey. Annoying. I’ve had a long day, I say. Go away.

It pulls my right ear and searches for lice scrambling all its fingertips over my scalp, irritating as hell. There are none. Get lost. I am not a child.

I’m losing it. The moon is winning.

Proud of its super-fullness. It is evil. The tides it excites, the fights it ignites, the way it bends minds, the resting foetuses it pulls into this cruel world, stealing sleep from the depths of the night. Milky and serene on the outside, within a serious trouble-maker resides. Hurricanes, tornados and earthquakes it invites.

You’re an imposter. I see you. A big black rough rock with nought to your name. No water. No gravity. No air. Certainly, no light. This thing you proclaim as your own is in fact not so. We all know. It belongs to the star called Sun. The one that gives life. Not you. That’s the real star. You, a mere appendage, borrowing importance, gloating in your pretend beauty, cycling and circling with poor intent.

You’re no good to me. Go away. You bad bad moon.

Come home, my darling.

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I still hear the key turning in the door from the outside and you stepping in. Can you believe it? I still see your face, darkened by the sun. Dressed in your cricket whites, you drag your massive cricket-bag-on-wheels behind you by your left arm.

“Did you take the sun-screen with you?” I ask.

“Yes, it’s in the bag.”

“Did you actually put it on?’

 “Mamma, I’m hungry.”

I still wait for you to join us for dinner. I cook the foods you like, especially on your birthday: spinach-paneer for mains, chocolate mousse for dessert. I wonder what you’d be doing in this realm if you were here. Job? Girl-friend? How silly! Isn’t it? I can’t help it. It’s involuntary. It’s got something to do with the heart. With longing. With missing. With love. It’s not supposed to make sense. You would have had a good old chuckle at my expense if you were here. But you are not and I am. How random is that?

I still remember the first time I felt you elbow-ing or knee-ing me from inside my tummy, as if we had an inside joke between us. I remember holding all three kilos of you in my arms for the first time. I couldn’t believe you were for real. You were all mine. Now my arms ache with emptiness. Is this real?

Do you miss me sometimes?

Happy birthday my darling.

Heaven

It will be the past

And we’ll live there together.

Not as it was to live

But as it is remembered.

It will be the past.

We’ll all go back together.

Everyone we ever loved,

And lost, and must remember.

It will be the past.

And it will last forever.

                      – A poem by Patrick Phillips, on the New York subway.

(“Ghar aa” is a Hindi phrase that means “Come home”)

Demonic dunes.

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(Kolmanskop, Namibia. Photo by Emma McEvoy)

Chasing me. Haunting. It wants to swallow me. I wonder why. I am a mere witness standing by. It viciously runs to get me. Grains of sand penetrate my eyes, making me squint and blink and tear-up. But I am just a spectator. I wrap my head in a pink cotton scarf. It soaks up the water, protects my head but my ankles are now submerged in the sand. I extricate them and lunge away from it, breathing hard. Then stop. Turn around, stand still and stare at it. It hisses, plumes of sand flying off the top of it like flames. It threatens to burn me alive.

Images, echos and winds of the past. Dancing dunes of time.

It has blocked my doorway, invaded my home, drive, my garden, front and back. There is grit in every crevice and crack. All I have is sunk underneath this deadly dune. Only the slate-grey gable roof and the chimney tops breathe.

I am not running away from it. From anything. This dune does not have my permission. It may not bury me. It cannot. I know it has a weakness. It can only play in the field of the Past. It cannot enter this Present moment of mine. A silk veil of breath undulates between the damned dune and me. It keeps me on this side of the line. Here, I am safe. This side of the boundary line is mine. Here, all I need I have. The field of my presence is spacious, clear and blue, untouched by this devil of a dune. As pure as my smile. In. Pause. Out. Pause. In. Pause. Out …

Oceans apart

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My mother.

she was known by

her chum-chum silver key ring

tucked into her slim waist

and her swishing saris.

Those delicate fabrics

draping her like feathers.

Her face so gentle, her red bindi

was home.

Still is.

*

No other.

I saw me in her.

Years carried me away

to far-off places,

where every house

had steep staircases

inside.

Outside, the winds blew hard and

the terrible winter

could bite.

*

Why bother?

Here, jeans and polo-necks,

only they would do.

The stairs would unfurl

my sari in milliseconds,

if I dared to.

My dupattas would sweep the floor.

My bindi out of place,

found no spot to decorate.

The years I blame.

*

Not like her.

Yes. Oceans apart,

she is she, in her handwoven

white, pink and blue cotton sari

and me is me, in my blue Gap jeans.

Yet we are somewhat the same.

***

Grey day

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I didn’t light his candle today. Not because I forgot. But I just couldn’t be bothered. He left without saying bye. I know it’s silly to bring this up now, after so many years. He needed to do whatever it was he needed to do. He needed to go. I understand. But the missing makes my heart crumble again and yet again. How is it possible to keep going after its smashed so many times? It feels like the old yellow rubber duck in his bath, being stamped heavily upon, by a topless angry Arnold Swarzenegger wearing big black military trousers and boots. What is this thing that pretends to drum in my chest, tattered and torn?

He broke the rule. Saying good-night was our ritual for many years. After settling him in his bed, I religiously kissed him on his chin, both his cheeks, first left and then the right, his closed eyes, first the left and then the right and then, once on his forehead. He put his little arms around my neck and we both held each other for a short while before I switched off the light and went to my room. We loved it and slept peacefully.

He didn’t respect our little rule. Maybe he couldn’t. But, I deserved at least, a proper good bye. But then, can anyone truly know who deserves what?

all my love,

endlessly

black and white portrait.

Blue words

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Woke up at 3 am this morning to attend a Poetry workshop on-line, India time. Himalayan Writing Retreat made it happen for us twelve. Hard to believe so much fun and learning could happen with strangers, sitting thousands of miles apart. Here’s what came out of it. Looking forward to much much more. Today’s Haibun:

She is decimated – an earthen clay pot, once holding colourless water in a colourless circle, now dust. She watches this happen to her, as if from outer space. As she zooms in, she can touch the wetness of what is spilt all over the marbled floor. It is possibly still within reach, this source of life. Drop by drop, she picks it up and adds it into her tumbler of tears. It magically swirls into an aquamarine blue – deeper than the deepest ocean and sky. The blue of life. Yes. It is blue and all of it, her very own.  

She colours her words with it. The words that were once, blood red.

Her walls, her flowers, her friendships.

Now she has this blue, she’s complete again. Fully of this earth.

dancing flame . . .

finding myself

in the mirror again

(Resource: Learn to write at https://www.himalayanwritingretreat.com/)