The custom of placing flowers on an alter is an ancient one. In the sixth century, Ikebana was founded in Kyoto as an offering to the Goddess of Mercy. Flower arranging contests were held at the imperial court where aristocrats and monks competed with each other at festivals.
In the early 16th century people tried to give a deeper meaning to the thoughts accompanying flower arranging. They wished to arrange rather than casually placing them in a vase. An earlier attitude of passive appreciation developed into a more deeply considered approach.
Rikka is the oldest style of Ikebana. Trees symbolise mountains while grasses and flowers suggest water. A natural landscape is expressed in a single vase. Indeed, all things in nature are reflected. In Rikka it is important to know the laws of nature through harmony of trees and plants.
It is my good fortune that I have the opportunity to be very intimate with Mother Nature in this concrete jungle of London. I have a teacher who is dedicated to passing this ancient tradition on to future generations. Her school has generated a number of teachers who inspire many people like me. Arranging flowers is like meditation in motion. The right brain can express itself to the fullest. The intuitive decision making, the textures, smells and colours of materials, the elegant shapes, the spatial organisation and the movement within bring peace and satisfaction. It is creative within a set of rules. It is aesthetically appealing to the subtle sensibilities. It is a gentle experience of being one with nature.
Maybe one day beauty will save the world.