books

Joyland

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Islam forbids suicide. It calls it a grave sin or ‘haraam’. It is viewed as taking away the gifts of life given by God. The Qu’ran says, trust God, have faith in the mercy of God and do not destroy life.

Joyland is a bold film, the first Pakistani feature to be premiered at Cannes in 2022.

It is about being alone in a crowd of expectations, being punished for having secret desires and accidentally making them seen. It is about someone else having to pay the price for our impulsive indiscretions, about how the bucket of shame topples itself on our heads as soon as we allow our innermost wants to be visible. It talks about how others can forcibly live their dreams through us, how our roles in society hold us firmly in one place and make us invisible as individuals, how we don’t have permission to be confused and are not allowed the time and space to think and talk things through, how life can be cluttered and noisy.  It’s about knowing you want to ‘run away’ but not knowing what that means or looks like. It’s about having to figure all this out, all by yourself.

It’s about treasuring moments of joy when they arise.

They could be hidden in the kitchen, on the Ferris wheel or inside the pages of an old book.

Do we really need another one?

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No one reads books anymore they say.

Publishing is a dying industry they say and I love books. I know hundreds of people who do.

Presently I am in the world of trying to get a book published. I am witnessing an interesting phenomenon of humane, helpless and kind rejections such as this: “We think you are an emotive writer and your story is very moving. It would undoubtedly provide comfort to those who have lost children, whether by suicide or otherwise. But there is so much work that goes into publishing a book and we have to believe that it can work commercially to a certain degree. I worry that it would be very difficult to get media attention/reviews and therefore retailer traction in this case.”

These letters leave me strangely encouraged to persist and keep refining the manuscript, keep working on the craft of writing and keep remembering what this is about. I write in singular first person but denote the third person plural. I am They, Them, We.

It’s about kissing the ground that supports my weight. It is where my son, all my ancestors and circumstances stand in me through all the seasons and storms. In every moment, it is and has been my home whether I like it or not. It tells me who I am and how, from my very foundations I can hold a conversation with life even when it seems terribly treacherous. Strangely, it is also a place of grace that surprises me by its ability to humble and elevate me, even after being dragged through the mud. It enables me to step off onto a softer ground of gentle understanding where grief finds expression as what it truly is, pure love, often known by safer names such as compassion and connection. I kiss this wise ground that has taught me what it means to be free, be love and be human.

One way or another, I am sure my words will find their way to those with whom they will resonate. If you have any helpful ideas around publishing, please do write a comment. Thank you for reading. This blog is the birthplace of the book.

Ode to London.

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“I wouldn’t choose to live here. It’s good for a visit. A change.”

As a tourist in London, that was my opinion in 2005. Less than a year later a job offer I couldn’t turn down meant we moved to London with our bags and belongings. The move from the capital of Northern Ireland to the capital of England was a huge culture shock. The sights and sounds of Belfast, a place we had come to feel at home in, were peaceful and serene compared to the chaotic juddering of London.

We relocated, rented for a year before buying. Our home was five miles south of London Bridge and we lived there for 17 years. Saagar lived there for eight, two of which he spent at Uni. We got past our initial anxieties about the cost of living etc. and came to love the buzz, the cultural richness and the stimulating challenges of living in this crazy noisy place.

For the past couple of years, we have wanted to live simply. Last year we returned to India for a few months to winter here in response to the extra attention our respective bones and bodies were demanding from us. We made a home in rural Goa, albeit temporary. Yes. This is serene and peaceful. Yes. Time is plentiful here and the tropical languor is endearing. Yes. The Arabian sea is warm and its breeze soothing. I am utterly grateful for all of that but we find it’s not simple to create simplicity. This place is lovely but it is entirely non-London and I dearly miss that home five miles south of the centre. I miss our cat, our plants, our neighbours (some). I miss my girl-friends and work-colleagues, posh cafés and French restaurants, a quiet walk through West Norwood Cemetery and a stopover at the Tate while along the Thames, a routine, a purpose. I never thought I’d say this but sometimes I even miss people watching on my morning commute to work. I miss being around folks who knew Saagar and spoke of him, people who loved him. 

A friend, Dr Michael Duncan who is a Consultant colleague and a poet, shares the same love of this city in his recent poem.

A Masterpiece of a City

You don’t need an Acropolis
To be the foremost Metropolis
I would need a paragraph
To just describe the Cenotaph
It’s prominent and sleek
And take a look in
To the Arches of Marble
Or the Marbles of Elgin
Pleasing, unless you are Greek
And while that is a pity
It’s still a masterpiece of a City

A mystery of a city
The extremes of iniquity
But the best of the humanities
All Side by side
Diversity is most alive
Within the M25
From Harrow to Bexley
In this Masterpiece of a City

London imperturbe,
Caressing the Thames
And the bends that it lends
I searched the world
And found the world here
My Sentiments for Ealing
Are Morden a feeling
The Thames is greater than the Liffey
A masterpiece of a city

Parakeets, they were transplanted
And brilliantly adapted
And The foxes of Camden
Though residents might damn them
And The foxes of Tooting
Raiding and looting
It’s mammalian diversity
In this masterpiece of a City

And if you should seek something greater
Then enter the chambers
Of the Western Minster
Ministering and dithering
Perfecting their duplicity
Are the master debaters

A masterpiece of a city
It has no Ulysses written about it
But if you take a Peyp
There is potential for one
Thy will be done
The masterpiece, is London.

Shiny-new-object Syndrome

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If you’d ask me, what’s the one thing I want to do before I die, I’d say – write my book.

I have been working on it for years but it fails to materialise because there is work, home, travel, putting away summer clothes, family, packing, births, films, reports, reading, e-mails, deaths, Diwali, slumber, too-hot, too-cold, Christmas, don’t-feel-like-it, may-be-later, not-inspired, not-now and the list goes on to fill five pages.

This blog is a friend, a punch-bag, a vent, a discovery, an exploration, a path and a ready distraction. It is my creative play-ground, seemingly under my control and gives me instant gratification – writing a few hundred words within an hour or two and hitting ‘Publish’. Done.

It takes tonnes of time, sweat, blood and gut-wrenching angst to get the first draft of a book done. Things to think about – the setting, characters, voice, pace, first-person or not, genre, authenticity, shouldn’t sound preachy, shouldn’t be too emotional, shouldn’t be too short or too long, chapter-isation, privacy, audience and mountains more. It needs reworked, edited and rewritten many times over till it’s polished and ready. It needs to pass through expert scrutiny before it gets anywhere near ‘Publish’. It needs my full attention.

I’ve spent the last three days at a little village called Satkhol taking part in a Creative Writing Course at The Himalayan Writing Retreat. It’s been an exercise and a luxury. The air is pristine, the hospitality impeccable, the space serene, the teaching clear and the long range of snow-capped Himalayas in the near distance, stunning. This environment elevates me and brings me home to my truth. So, distractions will have to go. For now, I shall take a break from blogging to focus on the book. Stay in touch. I will resume when I have made a submission to a literary agent. Thank you for being here with me. I have felt your warmth. It has sustained, inspired and encouraged me for as long as I have been with you. Thank you. This is no more than a pause.

May each new day and the coming New Year bring you clarity and unveil the joys that lie within your heart.

“Doesn’t everything die at last and too soon?

Tell me, what is it you plan to do

With your one wild and precious life?”

                                    -an excerpt from The Summer Day by Mary Oliver.

The innocence of others

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How I envy the lives of those, who have never been touched by suicide. What must be the quality of their minds? Their being must be so clean, un-spattered with blood. How I miss the old me of the world ‘before’, however ignorant and self-absorbed I was. My smile used to reach my eyes. It conveyed something real and complete about me. Now my eyes thirst to see that one sweet face. My smile is a faded and false version of its former self. A nicety that makes futile attempts to cover up for a heart that bleeds all the time.

When I look at photographs of women’s faces, I can tell the ones who have lost big chunks of their hearts. Their eyes are miles away from their smiles. Searching. Hungry for that part of their story which disappeared. I know that hunger. I envy all the other eyes, that sparkle.

Oh yes. I make up condolences for myself. Isn’t it a blessing that he didn’t have to go through the treachery of the lock-downs, he doesn’t have to worry about getting on the property ladder or about nations at war or about the appalling state of world leadership or about the rising fuel prices or about increasing world poverty or about some woman breaking his heart, about offending someone by asking a simple question. And climate change. He doesn’t need to deal with all this nonsense ever. Lucky bastard.

I turned to the kid’s section at our local library to rediscover the lost child in me and found ‘Charlotte’s web’ by E B White. I loved Fern, the little girl who could understand animal sentiments and conversations. I met Wilbur, who was ‘some pig’, terrific, radiant and humble and Templeton, the annoying rat. Charlotte, the spider, was adorable, a kind and benevolent friend. That’s the world I want to live in.

I think I’ll be visiting the children’s section of the library more often. This Easter, we shall watch all three Kung Fu Panda films, in preparation for the fourth one coming soon. Maybe we can fit in some Madagascar too 😉