Stories are us.

Why are they here? These random strange-looking foreigners? One is white and the other we’re told is from the north of India. Wonder which is worse. At least one of them is easy to steel from. Surely the other is obnoxious. But she teaches English at the Primary school for free. Wonder what’s in it for her. Oh yes. She’s using our kids to learn Kannada for free. That must be it.

The minds of the villagers are desperately trying to make sense of what we’re doing here, in this remote village. The nearest airport is 5 hours’ drive away and the closest decent hospital, at least an hour from our village. We don’t speak the local language and hardly anyone speaks Hindi or English.

The first story of us was that I am a film director and Si, an actor. We’re scouting a suitable location to shoot a period drama. But then no camera or crew showed up. So, that was discarded.

The next tale was that we are here to set up a petrol station. That’s how people with connections in high places syphon off their black money. That fits, they believed, knowing nothing about us. But then no signs of construction appeared for months.

The next guess was that we want to open a bar and restaurant. As we are close to the highway, it’s a great place to open-up something for the travellers to rest and refresh. That didn’t seem to be happening either.

What can it be? Oh. They both have seriously grey hair. All their friends must be old. They must deeply empathise with old people. They must be planning an old people’s home. Well, no signs of that yet.

What are they about after all? The dogs and kids seem to love them. They seem like nice enough people. Maybe they’re planning to start an orphanage?  Don’t know. We’ll have to wait and watch.

Well, all they seem to be doing is planting more trees and making more compost and playing music to their plants, setting up irrigation systems and so on. Maybe they’re doing all the groundwork to ultimately grow cannabis.

Oh! How we need stories!

Day 980

Japanese Floral Art

In ancient Japan it was believed that God lived in the evergreens. That is why they used it as the tallest and the main component of their flower arrangements. God was the invisible line that passes vertically through the centre of the arrangements. So said a senior faculty of Ikebana, Prof. Kurata at his lecture/demonstration this morning.

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Three hours of his talk equalled a year’s worth of learning. He went on to show how nature outdoors is depicted through flowers, leaves and stems indoors. This bamboo vase represents a cliff side and the alcove within it denotes a cave from where plants are emerging towards light, the spectator. Pictures don’t do any justice to the space and the movement created by the study.

Cliffhanger

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He spoke of beauty. When hidden, it carries intrigue. When hidden, it allows for imagination to flow. When hidden, it can be the most beautiful thing in the world. This is an example.

The Veil

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The shape of the container and the simplicity of the materials combine to create elegance.

Who? Me?

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Rikka is a form that captures a landscape. Each part of it signifies something, like receiving, flowing, supporting and carrying. It has mountains and rivers within it. Find them if you can.

Tatiana

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Clever use of angular shapes and bright contrasting colours to create an uplifting happy slanting mood.

I swear diagonally, Bro.

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The world is sort of round and so is this. Rounds within rounds. Wheels within wheels. Keeping to the theme. Cheerful asymmetry.

Must be Spring

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This last one was for the youngest member of the audience, a 3 year old girl. Playful bobbles and wires hanging out happily with an orchid in a blue bottle of gel balls.

Smile!

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Wonderful to see a true genius at work! It’s calming working with flowers, stems, branches, leaves, berries and grasses. Being with nature. Breathing. Learning. Smelling in the subtleness. Letting the imagination flow. Allowing the Self to heal. Letting go. Dissolving.